A Clockwork Orange Music
In 1964 director/producer Stanley Kubrick created the nuclear war comedic masterpiece “Dr. Strangelove: Or How I Learned To Terminate Worrying and Care For The Bomb”. He followed that with the science fiction masterpiece “2001: A Plot Oddysee”. Stanley Kubrick would come his creative peak with his next film. An Adaption of Anothony Burgess’novel “A Clockwork Orange.” Stanley Kubrick’s A Clockwork Orange is one of those films that you will either esteem or loathe. The film centers around the character of Alexander DeLarge (played to perfection by Malcolm McDowell) a 15 year feeble “droog” who with his friends Pete (Michael Tarn), Georgie (James Marcus), and Sunless (Warren Clarke) drink Milk Laced with drugs at the local “Milkbar” and then go out on the town at night, doing wrong things to people. During one incident Alex is captured and taken to prison. He finds out about a treatment that can pick up him of prison. He goes through with the treatment (which will form him sick when he attempts to commit an act of violence), is released from prison and thrown succor into the world, unable to defend himself. Out of all the things that get this movie big, the number one element is the performance of Malcolm McDowell as Alex. The entire movie revolves around him so if McDowell’s performance isn’t top notch then the movie isn’t top notch. McDowell was in his behind twenties when he made this movie. In the current Alex is 15 years used. So although being mighty older then his character McDowell plays the adventureous youth wonderfully. Suprisingly McDowell was not nominated for an Academy Award. Another really strong element is the music. Never in my life have I seen a movie (non musical) where the music plays such an indispensable role in a film. Gioacchino Rossini’s “The Thieving Magpie” during the fight scence against the rival droogs. “The William Stammer Overture” played 5 times too mercurial during the orgy scene and the consume of Ludwig Van Beethoven’s “Symphony no. 9″ are unprejudiced a few examples of how music plays an famous role in this film. As far as things being base with the movie. The only proper thing is the lack of any actual supporting cast. Determined there are a few standout performances. Particularily James Marcus as Georgie and in no means are the rest of the supporting cast unpleasant actors. There honest isn’t a accurate supporing cast there. But McDowell’s performace makes up for it. This film get’s 5 stars because of 3 things. Number one is the performance of Malcolm McDowell. Number two is the exhaust of music in such a different and original map and number three is the originality of it. This movie came out in 1971 and I haven’t seen any movie like it that came out before or since then. A Clockwork Orange was nominated for several Academy Awards including “best report” and “best director” but it lost in all categories to William Friedkin’s “The French Connection”
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In which high government officials are seen as the true equivalents of street thugs (honest better at p.r.), demonstrating that nothing has changed in 35 years.
The HD transfer is spectacular. This is how I remember the movie upon its opening in 1971. Pristine, startling, astounding.
Repeated viewings over the years of worn-out circuit prints, VHS and standard-def DVD had dimmed the movie’s capacity to astonish. Now, in HD, the smart brilliance, texture and color of the images are restored, and the richness of the images makes a grand inequity to the film’s impact. The sound is also righteous — certainly wonderful to the current theatrical release in the days of optical soundtracks.
In addition to the beauty of the Hi-Def record, this is worth owning because (at last) it is a end approximation of the unique theatrical aspect ratio (cover shape) ; the theatrical presentation being, after all, the venue for which Kubrick collected his shots. (Ignore those who claim he meant this film to be seen in full-frame 1.33:1, as in all the previous home video releases. He clearly created it to be seen in theaters, and in theaters he had the image matted to 1.66:1, which is very finish to the aspect-ratio of this HD DVD.)
Buy,Download, Or Stream A Clockwork Orange! Click Here
Buy it; recognize it on your big-screen 1080 HDTV in a sad room, uninterrupted. Precise horrorshow!
This is a 2-disc “Special Edition,” with the same extras as the standard-def DVD in the unique (2007) boxed set: commentaries, trailer, fresh interviews with Wm. Friedkin, Sydney Pollack, Malcolm McDowell, Wendy Carlos, Mrs. Kubrick, others.
Then hope for a rapid HD release of “Barry Lyndon” (1975), Kubrick’s underappreciated masterpiece following “A Clockwork Orange,” which will also back greatly from High-Definition.
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Halloween is less than a week away and that means it's time for candy, costumes and scary movies. While most fright flicks share one of a few common threads -- masked killers, murderous monsters -- not each and every scary movie comes in that same wrapping. In fact, some of the scariest moments at the movies are courtesy of genres where you'd least expect to find them. Are you easily frightened? Then be sure to add the following to your "Do Not Watch" list!
The Butterfly Effect (2004)
It's hard to imagine anything involving Ashton Kutcher as scary, but The Butterfly Effect is seriously creepy. Kutcher, as a collegiate with a troubled past, finds a way to change the worst events of his life only to realize he's initiated The Butterfly Effect and caused things to get worse and worse. Replete with freaky flashbacks, life just keeps become more like a nightmare. It's hard to shake this one off. Seriously!
Pi (1998)
Anyone with even the smallest penchant for paranoia should never, ever watch Pi. The harrowing tale of paranoid mathematical genius Max (Sean Gullette) is enough to make any neurotic think that someone really is after them. For Max, stumbling upon a 216-digit number in his work as a mathematician leads to pursuit by Biblical zealots, increasingly painful headaches, and trippy hallucinations until he finally takes a drill to his own temple.
Seven (1995)
Seven's killer (Kevin Spacey), is no Michael Myers. He's just a regular old crazy person. But that just makes him all the more frightening! Seven creates an atmosphere of dread from the outset, and the fear is amplified each time the killer adds another murder based to his resume. Spacey's handiwork is as gruesome as any horror villain: He ties a victim to his bed for a year, another is forced to tear off his own flesh. Not your average thriller, this.
Silence of the Lambs (1991)
Silence of the Lamb doesn't traffic in typical slasher movie tropes. But it does introduce a singularly terrifying killer: Hannibal Lecter, a brilliant serial killer and cannibalistic shrink. What Lecter lacks in muscles or hook-hands, he more than makes up for in savagery and charisma. Few scenes are more terrifying than Lecter's blood-soaked escape, when he's revealed in all his homicidal glory.
Jaws (1975)
Is it horror? Is it action? Either way, Jaws is really, really scary. Sharks have long inspired both fascination and phobia in mankind, so the idea of a nearly unkillable, oversized, man-eating shark scares people half to death. Plus, Jaws has the competition beats when it comes to scary ambiance: Just what did people use for ominous scene-setting music before the flick's trademark bassline came to be?
A Clockwork Orange (1971)
No supernatural killers here: Just a group of nihilistic, evil hooligans and a serious mind-trip. It's tough to say what's most disturbing about this flick. On the one hand, Alex (Malcom McDowell) and his gang raping and beating their way through London is far from pleasant. On the other, there's the treatment Alex undergoes, in which he's forced to watch a succession of brutal images with his eyes pinned open.
Willy Wonka and the Chocolate Factory (1971)
An otherwise delightful and happy (if weird) movie, Willy Wonka ranks here due to one scene that's the height of psychedelic creepiness. That would the the boat scene of course, which has been scaring unsuspecting children since the early '70s. Gene Wilder's creepy narration as his contestants go on a psychedelic boat ride, can leave even the most devoted Wonka fan with little doubt as to whether there's a bit of evil in his considerable genius.
Pinocchio (1940)
What can best be described as "the donkey scene" in this classic movie is early Disney at its best and worst. Why anyone would think watching Pinnochio and a friend turn into enslaved, terrified donkeys would be anything but horrifying is beyond the realm of comprehension. Sure, this punishment comes after a night of boozing and smoking, so there's a moral here for the kids, but it's also totally traumatizing.
